芳華》之所以能夠最終上映,關鍵性的不利因素更何況是資本和人情的力量,是資本和人情攜手擊敗了表演藝術底線。《芳华》連痕跡現代文學也稱不上,只是一段持續了一個半小時的牢騷話,續集的當代祥林嫂而已,嗎不配叫芳華那個名字,白白糟蹋了那個好詞。原本決心不說《芳华》整部影片的,即使真誠覺得它不值得評論家。但上映之後的頭兩天,互聯網上對它的溢美之詞太多、太甚,感覺很多是“...
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