接著該片步入了象徵主義慢節奏,一切娓娓道來。原來這聶隱娘也是大家閨秀,師事道姑後便成了刺客殺手。人間的繁文縟節和儒家的清心寡慾,坎坷繁瑣與一劍封喉,這極繁與極簡、熱鬧和幽寂,三種景色和三種情緒的美妙對比,展現出了中華美學和東方神學,也促進了故事情節經濟發展。電影對話很少,靠景色,眼神,動作,音響系統來表現人物的心理和該事件的過程。有如兩幅素雅高古中國中國畫長...
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