大背景懸掛的晾衣繩,是屬於她的立法權工具,洗衣房做為尹仁慈的立法權空間,姜仁浩則陷於這無計可施的泥淖。一是擺滿牆面的肖像,暗喻著副校長極其自戀與心理變態,二是魚缸裡的水母,暗喻著性無能與卑鄙。在姜仁浩和副校長坐定後,副校長的雙胞胎哥哥進去,趴在鏡頭左側,此時就形成了一個開放式的構圖——暗示女主角的出路被抵擋封堵。影劇中的抵抗徹底失利,就算是之後的示威也是無力...
This site is a comprehensive movie website about movie posters, trailers, film reviews, news, reviews. We provide the latest and best movies and online film reviews, business cooperation or suggestions, please email us. (Copyright © 2017 - 2020 920MI)。EMAIL